tu Kal Chala Jaayega Toh Main Kya Karunga....

Tere Jaane Ki Khushi Aur Dil Udaas Hain
durr Hum Hue Toh Kya Dil Toh Dil Ke Paas Hain
tu Kal Chala Jaayega Toh Main Kya Karunga - 2
tu Yaad Bahut Aayega - 2 Toh Main Kya Karunga
tu Kal Bichhad Jaayega Toh Main Kya Karunga - 2
tu Muhjko Bhul Jaayega Toh Main Kya Karunga
tu Kal Chala Jaayega

teri Yaad Ko Kahi Durr Chhod Aaun Main- 2
iss Kadar Pila Mujhe Tujhko Bhul Jaaun Main - 2
tujhko Bhul Jaun Main
hosh Magar Aayega Toh Main Kya Karunga - 2
tu Yaad Bahut Aayega Toh Main Kya Karunga
tu Kal Chala Jaayega

tere Jaisa Kaun Hai Aur Kiska Naam Lu - 2
laa Main Issi Baat Par Aur Ek Jaam Lu - 2
aur Ek Jaam Lu
jaam Chhalak Jaayega Toh Main Kya Karunga - 2
tu Muhjko Bhul Jaayega Toh Main Kya Karunga
tu Kal Chala Jaayega

bhul Jaana Tu Mujhe Zindagi Sanwarna - 2
yaad Na Karna Mujhe Haske Din Gujarna - 2
haske Din Gujarna
tera Gam Rulayega Toh Main Kya Karunga - 2
tu Yaad Bahut Aayega Toh Main Kya Karunga
tu Kal Chala Jaayega Toh Main Kya Karunga
tu Yaad Bahut Aayega Toh Main Kya Karunga
tu Kal Bichhad Jaayega Toh Main Kya Karunga
tu Muhjko Bhul Jaayega Toh Main Kya Karunga
tu Kal Chala Jaayega

Chithhi na koyi sandesh ....... :(

Ironically a lot many of good songs in this genre are from modern Hindi cinema which usually doesn't happen to my lists. Those of you who have listened to this one can tell me , haven't you listened it repeatedly at a time and still couldn't get enough of it?

Chithhi na koyi sandesh
Hoo, chithhi na koi sandesh
Jaane woh kaun sa desh jaha tum chale gaye
Chithhi na koyi sandesh
Jaane woh kaun sa desh jaha tum chale gaye
Chithhi na koyi sandesh
Jaane woh kaun sa desh jaha tum chale gaye
Jaha tum chale gaye
Is dil pe laga ke thhes jaane woh kaun sa desh
Jaha tum chale gaye...

Ek aah bhari hogi hamne na suni hogi
Jaate jaate tumne awaaz to di hogi
Har waqt yehi hai gham, us waqt kaha the hum
Kaha tum chale gaye
Chithhi na koi sandesh jaane woh kaun sa desh
Jaha tum chale gaye jaha tum chale gaye
Is dil pe laga ke thhes jaane woh kaun sa desh
Jaha tum chale gaye...

Har cheez pe ashkon se likha hai tumhaara naam
Ye raste ghar galiyaan tumhe kar na sake salaam
Hai dil mein reh gayi baat, jaldi se chhuda kar haath
Kaha tum chale gaye
Chithhi na koi sandesh jaane woh kaun sa desh
Jaha tum chale gaye jaha tum chale gaye
Is dil pe laga ke thhes jaane woh kaun sa desh
Jahan tum chale gaye...

Ab yaadon ke kaante is dil mein chubhte hain
Na dard thhaherta hai na aanson rukte hain
Tumhe dhhundhh raha hai pyaar, hum kaise karein iqraar
Kaha tum chale gaye
Chithhi na koi sandesh jaane woh kaun sa desh
Jaha tum chale gaye jaha tum chale gaye
Is dil pe laga ke thhes jaane woh kaun sa desh
Jahan tum chale gaye...
Ho kahan tum chale gaye -3

Ondu Sanna Aase ...........

(Ondu Sanna Aase Baduka Nungithe
Preethi Bayasi Hrudaya Tappu Maadithe..) - 2
Kanda Kanasu Kanninalle Karagithe.. - 2
Yaava Shaapa Benna Bidade Kaadide..
Hudhugalaaradantha Novu Edeyali..
Thumbi Kanna Neere Soojiyaagide..
Ondu Sanna Aase Baduka Nungithe
Preethi Bayasi Hrudaya Tappu Maadithe..


Manadi Tumbiro Andhakaarake, Bedari Eega Maathu Sattide
Beru Muridiro Marada Manasina Bhaavadanthe Jeeva Naralide..
Haaralendu Horata Jodi Hakkige, Daivavene Kallu Beesi Koothide..
Ondu Sanna Aase Baduka Nungithe
Preethi Bayasi Hrudaya Tappu Maadithe..


Marevenendaru Mareyalaagade Manase Eega Vyaagravaagidhe
Suliya Suttalu Taane Tirugutha Silukalendu Praana Kaadidhe..
Manada Hasiya Gode Mele Geechida, Gaayaveega Maayadanthe Kaadidhe..


Ondu Sanna Aase Baduka Nungithe
Preethi Bayasi Hrudaya Tappu Maadithe..
Kanda Kanasu Kanninalle Karagithe.. - 2
Yaava Shaapa Benna Bidade Kaadide..
Hudhugalaaradantha Novu Edeyali..
Thumbi Kanna Neere Soojiyaagide

Madhuvana Karedare - Inti Ninna Preetiya

ಮಧುವನ ಕರೆದರೆ ತನುಮನ ಸೆಳೆದರೆ ಶರಣಾಗು ಆದರೆ....(೨)
ಬಿರುಗಾಳಿಯಲ್ಲಿ ತೇಲಿ ಹೊಸ ಗಳಿಗೆ
ಬಂದಿದೆ
ಕನಸೊಂದು ಮೈಮುರಿದು ಬಾ ಬಳಿಗೆ
ಎಂದಿದೆ
ಶರಣಾಗು......ಆದರೆ.....ಸೆರೆಯಾಗು.....ಆದರೆ
ಮಧುವನ.....(೨)

ಆ ಆ ಆ..ಕಂಗಳಲ್ಲಿ
ಕನಸಿನ ಕುಲುಮೆ ಹೊಳೆಯುತ್ತಿದೆ ಜೀವದ ಒಲುಮೆ
ಬೆಳಕಲಿ ನೋಡು ಆದರೆ
ಮೈಯಲ್ಲಾ ಚಂದ್ರನ ಗುರುತು
ಹೆಸರೆಲ್ಲೋ ಹೋಗಿದೆ ಮರೆತು
ನಾನ್ಯಾರೋ ಹೇಳು ಆದರೆ......
ಮಧುವನ.....(೨)

ಮನಸ್ಸಿನ ಹಸಿ ಬಣ್ಣಗಳಲ್ಲಿ
ನೀನೆಳೆವ ರೇಖೆಗಳಲ್ಲಿ
ನಾ ಮೂಡಬೇಕು ಆದರೆ..... ಎ ಎ ಎ
ಎದುರಿದ್ದು ಕರೆಯುವೇ ಏಕೆ
ಜೊತೆಯಿದ್ದು ಮರೆಯುವೆ ಏಕೆ
ನಿನ್ನೊಲವು ನಿಜವೇ ಆದರೆ ...... ಎ ಎ ಎ
ಮಧುವನ ಕರೆದರೆ ತನುಮನ ಸೆಳೆದರೆ ಶರಣಾಗು ಆದರೆ....(೨)

ಬಿರುಗಾಳಿಯಲ್ಲಿ ತೇಲಿ ಹೊಸ ಗಳಿಗೆ ಬಂದಿದೆ
ಕನಸೊಂದು ಮೈಮುರಿದು ಬಾ ಬಳಿಗೆ ಎಂದಿದೆ
ಶರಣಾಗು......ಆದರೆ.....ಸೆರೆಯಾಗು.....ಆದರೆ
ಮಧುವನ.....(೨)

Cave Temple - Sri KESHAVANATHESHVARA Moodgal,Kradi Village , Kundapur Tq

HOW TO REACH ---
There are are two ways to reach Moodgal temple.

One ---- Kundapur- Kollur State Highway, After Vandse – Chittooru, take right turn towards Sri Kshetra MARANAKATTE, proceed to KERAADI village. After keradi the journey is very tedious and adventures. Last 2 kms journey will be of steep hill and forest. It is possible to travel by Motar cycle by this way.

Other way is from – Siddapura – Kamalashile – hallihole – Chakra maidana. Then climb up the hill top to reach the Moodgal Temple. Here one can travel by Jeep, Car or by Two wheelers. It is around 18 KMS from Siddapur.

The Address : Sri Keshavanatheshvara Temple- Moodgal, KERADI Post Kradi Village , Kundapur Tq
For more details Contact: Sri Raghavendra Kunjathaya (Archaka)
Mob No. . 98804 62076
CDMA No. 96324 75220

Kalinga Navada..as 'Yuga Pravartaka'

Kalinga Navada was born in 1958 at Gundmi (Kundapur Taluk) to Padmavathi and Ramachandra Navada . He was the Bhagavatha in Uppoor's troupe from 1971 to 1976 and worked for the Vijayashri Mela of Perdoor in 1977. He spent majority of his career with Amriteshwari Mela and the Saligrama Mela.In 1990 he lost his life in a tragic road mishap.

Known for his melodious voice, modularity, and the depth, late G R Kalinga Navada continues to live in the people's mind for his contribution towards Yakshagana.He had an attractive voice with good depth and melody, Navada brought new life to yakshagana singing. With a proper hold on theatre, Navada innovated new ragas to reduce the monotony and increase the attraction thus bringing a special effect in Yakshagana. With a fusion of new ragas like Revathi, Kalavathi, Chaand, and Bihag with old ones, Navada carved a special place for himself in this field.

In terms of his contributions and innovations he can be rated as one of the best in his field. He brought in the lost audiences back to Yakshagana.

Yakshagana...true people's theatre..!

One of the theatre forms generally described as folk but possessing a strong classical connection is the Yakshagana. It is a typical folk form of drama in this region, just as Kathakali is in neighbouring Kerala. Unlike the stylised costumes and masks of Kathakali, Yakshagana is a true people's theatre, commonly staged in the paddy fields at night and the themes are the same as all over India, the Ramayana, the Mahabharata and mythological tales from the Puranas. In predominantly rural areas with little or no transportation, Yakshagana enjoys immense popularity and its exponents are honoured just as great stage artistes are.
Although the name signifies the music of celestial beings, Yakshagana is an amalgam of the sky with the earth. here is both mystery and robustness about this form in which singing and drumming merge with dancing, and words with gestural interpretation, and players clad in costumes of striking colour and contours. It is the cherished cultural possession of the coastal districts of Karnataka.

Dr. K.S. Karanth is the foremost authority on Yakshagana and has been working on all its aspects, amely--dance, music, and literature, since 1930. He has led the way to a deep and systematic study of this art form. He has spent decades travelling to remote villages within Karnataka to inspect and study every Yakshagana manuscript, the earliest going back to A.D. 1651. With his fine literary judgement and aesthetic sensibility, he has traced the changing trends in the performance of Yakshagana. He has interacted with hundreds of Yakshagana artistes to find out what customs in training and interpretation had prevailed earlier and had fallen into disuse and deserved to be resuscitated. He has put together his findings in the shape of two standard books Yakshagana-Bayalata (1958) in Kannada, and Yakshagana in Kannada and English (1975).